Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for your unrest? Katniss. And what's worse, President Snow has caused it to be clear that nobody else is protected either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one from the most discussed books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended as being a trilogy. Did it genuinely end the means by which you planned it from your beginning?

A: Very much so. While I didn't know every detail, of course, the arc with the story from gladiator game, to revolution, to war, on the eventual outcome remained constant throughout the writing process.

Q: We understand you worked for the initial screenplay for the film to become based on The Hunger Games. What may be the biggest distinction between writing a novel and writing a screenplay?

A: There was several significant differences. Time, for starters. When you discover yourself adapting a novel in to a two-hour movie you can't take everything with you. The story has to get condensed to suit the new form. Then you have the question of methods best to take a book told inside the first person and offer tense and transform it right into a satisfying dramatic experience. In the novel, you never leave Katniss for the second and so are privy to all or any of her thoughts so you need a approach to dramatize her inner world and to make it feasible for other characters to exist beyond her company. Finally, you have the challenge of how you can present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lots of the situation is acceptable on the page that wouldn't be on a screen. But exactly how certain moments are depicted may ultimately be inside the director's hands.

Q: Are you currently in a position to consider future projects while working on The Hunger Games, or are you immersed inside the world you occur to be currently creating so fully it is simply too difficult to think about new ideas?

A: I've a few seeds of ideas going swimming during my head but--given very much of my focus continues to be on The Hunger Games--it is going to be awhile before one fully emerges and I can commence to develop it.

Q: The Hunger Games is an annual televised event in which one boy then one girl from each with the twelve districts is forced to participate in a fight-to-the-death on live TV. What can you think that the selling point of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are usually unknown, which means they are relatable. Sometimes they've got very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I have found very disturbing. There's also the potential for desensitizing the audience, so that once they see real tragedy playing out on, say, the news, it does not have the impact it should.

Q: In the big event you were instructed to compete inside Hunger Games, what do you think your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope can be to obtain hold of an rapier if there is one available. But the truth is I'd probably get with relation to its a four in Training.

Q: What does one hope readers will come away with when they read The Hunger Games trilogy?

A: Questions about how precisely elements with the books may be relevant inside their own lives. And, when they are disturbing, what they might do about them.

Q: What were some of your favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but this time around it's for world control. While it is a clever twist for the original plot, it indicates that there's less focus on the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in to a less vibrant Katniss by displaying despair both at those she feels responsible for killing and and also at her very own motives and choices. This is an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels along with the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are very evidenced in the voice, which goes from rage to puzzlement for an unsure come back to sweetness. McCormick also helps to make the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each and every from the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.